OpenAI’s Sam Altman drops major new Sora updates as AI video app soars to number one in U.S.
News October 05, 2025

OpenAI’s Sam Altman drops major new Sora updates as AI video app soars to number one in U.S.

OpenAI’s new video generation app Sora is barely a week old, but CEO Sam Altman is already dropping updates to address some major potential issues with the app. In the days since Sora launched, the app has soared to the top of the U.S. Apple App Store as users flocked to try it—even though it is still invite-only. And just as its popularity has skyrocketed, experts increasingly sounded the alarm over the likelihood that OpenAI may face legal action over Sora’s ability to generate copyrighted characters, logos, and other intellectual property. That’s what the new updates appear geared to address.In a Friday blog post, Altman said Sora will undergo two major changes: The first change is aimed at giving rights holders “granular control over generation of characters,” he wrote, similar to the company’s opt-in model for likenesses. The second will be tweaking the app to create revenue—in part so that some proportion of the app’s takings can be shared with rights holders, according to Altman. It’s unclear when the changes will take effect, with Altman only writing they would be coming “soon.”Sora’s fan dilemma “We are hearing from a lot of rightsholders who are very excited for this new kind of ‘interactive fan fiction’ and think this new kind of engagement will accrue a lot of value to them, but want the ability to specify how their characters can be used (including not at all),” Altman wrote, caveating that some “edge cases” might sneak through the cracks. Generated videos featuring characters from SpongeBob SquarePants, South Park, and a number of other television shows and movies could already be found on the app in the days after its release, CNBC reported. “People are eager to engage with their family and friends through their own imaginations, as well as stories, characters, and worlds they love, and we see new opportunities for creators to deepen their connection with the fans,” Varun Shetty, OpenAI’s head of media partnerships, told CNBC in a statement. “We’ll work with rights holders to block characters from Sora at their request and respond to takedown requests,” Shetty told the outlet.Fast Company reached out to OpenAI for comment, but did not hear back by the time of publication.Other publications that tested the app found that it wouldn’t generate certain images, including of celebrities who hadn’t given OpenAI permission to use their likeness. The app also wouldn’t create violent content, as well as some political content, according to The New York Times. AI copyright concerns growingThe concerns over OpenAI’s new app come months after Disney and Universal filed a copyright lawsuit against another AI image-generator, Midjourney—marking the first time a global entertainment company sued an AI platform over copyright. Disney has also sent a cease-and-desist to Character.AI over alleged copyright violations, CNBC reported.In his blog post Friday, Altman nodded to the “remarkable creative output” of some Sora users, writing that “people are generating much more than we expected per user, and a lot of videos are being generated for very small audiences.” Altman wrote that the app will continue to change over the coming months, in a “trial and error” process. “Our hope is that the new kind of engagement is even more valuable than the revenue share,”” he wrote.

Barely a week after its launch, OpenAI's groundbreaking video generation app, Sora, is already undergoing significant updates. CEO Sam Altman announced these changes as the app skyrocketed to the number one spot on the U.S. Apple App Store, fueled by eager users despite its invite-only access.

However, Sora's rapid ascent has also raised concerns, particularly regarding potential copyright infringements. Experts have warned of possible legal challenges due to the app's ability to generate content featuring copyrighted characters, logos, and other intellectual property. Altman's announced updates appear to directly address these concerns.

In a recent blog post, Altman outlined two key changes planned for Sora. The first aims to grant rights holders "granular control over generation of characters." This system would be similar to OpenAI's existing opt-in model for likenesses, allowing copyright owners to specify how, or even if, their characters can be used within Sora-generated content.

The second change focuses on monetizing the app, with a portion of the revenue intended to be shared with rights holders. While the exact implementation and timeline for these changes remain unclear – Altman only stated they would be coming "soon" – they signal OpenAI's commitment to addressing copyright concerns.

Altman acknowledged the excitement from rights holders regarding "interactive fan fiction" and the potential value it could bring. He emphasized the desire of these rights holders to control how their characters are used, including the option to prohibit their use altogether. While some "edge cases" may still occur, OpenAI seems prepared to work with rights holders to block characters from Sora upon request and respond to takedown requests.

Varun Shetty, OpenAI’s head of media partnerships, told CNBC that the company will work with rights holders to block characters from Sora at their request and respond to takedown requests, noting that people are eager to engage with stories, characters, and worlds they love, and OpenAI sees new opportunities for creators to deepen their connection with fans.

Concerns over AI-generated content and copyright are not new. Disney and Universal recently filed a copyright lawsuit against another AI image generator, Midjourney, marking the first time a global entertainment company has sued an AI platform over copyright issues. Disney has also sent a cease-and-desist to Character.AI over alleged copyright violations.

Altman emphasized the "remarkable creative output" of Sora users, noting that people are generating more content than anticipated, often for small audiences. He described the ongoing
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